The Death of Louis XIV

Imogen Poots grounds Christine Molloy and Joe Lawlor's meditative portrayal of terrorist, disinherited heiress and expectant mother Rose Dugdale.

A fixture in the critical canon almost since its premiere, Eisenstein’s film about a 1905 naval mutiny was revolutionary in both form and content.

One of Werner Herzog's most acclaimed and audacious films, Fitzcarraldo tells the incredible story of Brian Sweeney Fitzgerald, an opera-loving fortune hunter who dreams of bringing opera to the heart of the Peruvian jungle.

This early masterpiece from Werner Herzog stars Klaus Kinski as a power-crazed explorer in sixteenth-century South America who leads a band of conquistadors through the Amazon in search of El Dorado.

A distinctly bold and sensual reclaiming of gay history, Jarman here tells the sexually intense story of the 4th-century martyr.

Terence Davies' debut feature is a remarkable evocation of working-class family life in the 40s and 50s and a visionary exploration of memory.

Park Chan-wook (Oldboy, Stoker) channels Sarah Waters’ novel Fingersmith, to create a sumptuous twisty psychological thriller full of erotic intrigue.

Whit Stillman crosses the Atlantic for this irresistible Jane Austen adaptation, following the delicious and devious exploits of Lady Susan (Kate Beckinsale).

Peter Greenaway became a director of international status with this witty, stylised, erotic country house murder mystery.

With his third feature, Hlynur Pálmason (A White, White Day) delivers a breathtakingly inventive and ambitious historical epic, set in mid-19th-century Iceland.

Isabelle Adjani and Daniel Auteuil star in Patrice Chéreau's sumptuous historical drama; a thunderously good yarn full of dastardly plots, familial hatred and perverse desire.

A rural Irish community in the 1980s is portrayed with quiet beauty in this heartfelt drama, based on acclaimed writer John McGahern’s novel.

François Truffaut’s French New Wave landmark is one of the greatest movies about adolescence.

Naively idealistic and largely inept both in his dealings with women and in any job, Antoine clumsily courts Christine while working for a private detective agency.

In this typically ambivalent comedy from Truffaut, Antoine Doinel (Jean-Pierre Léaud) becomes a father... But is he mature enough for parenthood?

Truffaut adopts a detached, delicate tone in treating the troubled ménage-à-trois that develops between a young French writer (Léaud) and two English sisters in the early 1900s.

Separated from Christine and uncertain about his latest relationship, Antoine (Jean-Pierre Léaud) has finally written a novel inspired by his own experiences in this final chapter of François Truffaut’s series.

Albert Serra’s explicit and opulent exploration of the limits of the erotic imagination is realised in this remarkably radical and subversive cinematic experience.

Maverick auteur Albert Serra’s imagines a meeting between the ageing Casanova and Count Dracula in this deliciously eccentric baroque reflection on pleasure and erotic desire.

An apocalyptic vision pushes a group of rabbits to abandon their warren in search of a new home, in this landmark British animation.

Award-winning director Kirill Serebrennikov (Petrov's Flu) charts the tumultuous relationship between the 19th-century composer and his wife, in this poignant and powerful biopic.

Enchanting feminist coming-of-age drama, from award winning Syrian director Soudade Kaadan.

Béla Tarr’s devastating, starkly pared-down final feature, inspired by Nietzsche.

A stuffed whale sparks social apocalypse in this haunting cinematic masterpiece from Béla Tarr and Ágnes Hranitzky.

Tilda Swinton stars in this profoundly nocturnal Georges Simenon adaptation.