La Chinoise

Billie Piper stars in her own directorial debut, a no-holds-barred, Fleabag-esque anti-romcom about a modern woman’s struggles in work and love.

Taken into a commune by her brother, a family of three find themselves co-habiting with an assortment of dropouts, hippies and free thinkers, in Lukas Moodysson's warm, bittersweet comedy.

Members of the beloved 70s commune reunite in the shadow of the new millennium, in Lukas Moodysson’s eagerly anticipated, warm-hearted sequel to Together.

Greta Gerwig shines as a college student challenging the male dominated culture on campus, in Whit Stillman’s sweet, eccentric and frequently hilarious comedy.

Wes Anderson's rarely screened debut ditches the kitsch in favour of surprisingly subtle comedy, in this tale of a criminally inept gang led by Owen Wilson.

Hettie MacDonald’s 1996 comedy tells the story of two classmates and neighbours (Glen Berry, Scott Neal) who fall in love over one summer in South East London.

Twenty-five years old and newly restored, Gary Oldman’s BAFTA-winning debut as writer-director remains a magnificent achievement.

Mark Jenkin follows Bait with this chilling, endlessly mysterious folk horror tale, beautifully shot on grainy 16mm.

Peter Brook’s Palme d’Or-nominated adaption of the classic novel by William Golding.

A closeted PE teacher reckons with her identity during Thatcherite Britain in Georgia Oakley’s delicate yet gripping BAFTA-nominated debut.

Set in London at the turn of the millennium, Reggie Yates’ hilarious debut feature takes us on a journey back to New Year's Eve 1999, reviving memories from the 90's garage scene and Moschino fashion for pure nostalgic cinematic joy.

Following his supernatural sojourns, Suspiria and Inferno, Argento steps back into the real world for a blood-soaked tale of murder and meta-textuality.

The last days of the Sun King, evoked with sombre beauty by Albert Serra. The legendary Jean-Pierre Léaud brings ineffable presence to the title role.

François Truffaut’s French New Wave landmark is one of the greatest movies about adolescence.

In this typically ambivalent comedy from Truffaut, Antoine Doinel (Jean-Pierre Léaud) becomes a father... But is he mature enough for parenthood?

Naively idealistic and largely inept both in his dealings with women and in any job, Antoine clumsily courts Christine while working for a private detective agency.

Separated from Christine and uncertain about his latest relationship, Antoine (Jean-Pierre Léaud) has finally written a novel inspired by his own experiences in this final chapter of François Truffaut’s series.

Truffaut adopts a detached, delicate tone in treating the troubled ménage-à-trois that develops between a young French writer (Léaud) and two English sisters in the early 1900s.

Godard's playful tribute to the Hollywood pulp crime movies of the 1940s, executed with typically Gallic cool.

Ryusuke Hamaguchi’s follow-up to Drive My Car is a hauntingly enigmatic eco-thriller. Winner of Best Film at the BFI London Film Festival.

Billie Piper stars in her own directorial debut, a no-holds-barred, Fleabag-esque anti-romcom about a modern woman’s struggles in work and love.

Imogen Poots grounds Christine Molloy and Joe Lawlor's meditative portrayal of terrorist, disinherited heiress and expectant mother Rose Dugdale.

Powerful adaptation of Truman Capote’s true-crime novel about the massacre of a family in Kansas, and the manhunt for the killers.

A Finnish couple facing a marital crisis venture into the world of polyamory, in this mature meditation on love.

Explosive thriller starring Bill Paxton as a small-town Sheriff, out to bust a gang of LA drug dealers… until he learns his ex-girlfriend is one of them.