Antoine et Colette

Perry Henzell’s long-lost second feature is a love letter to Jamaica, as we follow a filmmaker searching the island for a lost actor.

Robert Bresson’s tale of sexual intrigue, rivalry and revenge among Parisian socialites, with glittering dialogue by Cocteau.

Gomorrah director Matteo Garrone presents a masterful tale of twisted friendship, not-so-petty crime and revenge.

The legendary story of Joan of Arc is powerfully retold in Robert Bresson’s minimalist masterpiece.

Kelly Reichardt's absorbing and beautifully composed western, set on the Oregon trail in the 1840s.

Michelangelo Antonioni's debut feature is a noirish thriller following a jealous industrialist who hires a private eye to investigate his wife.

Truffaut is at his most atypical with this black comedy about a young woman (a gleefully raucous Bernardette Lafont) rising from rural rags to richly ironic celebrity by means of murder.

A nightclub pianist conceals a secret past in Truffaut’s second feature - a breezy New Wave concoction of genre pastiche, playful stylistic tricks and romantic reverie.

Naively idealistic and largely inept both in his dealings with women and in any job, Antoine clumsily courts Christine while working for a private detective agency.

Separated from Christine and uncertain about his latest relationship, Antoine (Jean-Pierre Léaud) has finally written a novel inspired by his own experiences in this final chapter of François Truffaut’s series.

Happily married Bernard (Gérard Depardieu) has his life is thrown into turmoil when Mathilde (Fanny Ardant) - an old flame - moves into the house opposite.

Truffaut adopts a detached, delicate tone in treating the troubled ménage-à-trois that develops between a young French writer (Léaud) and two English sisters in the early 1900s.

In this typically ambivalent comedy from Truffaut, Antoine Doinel (Jean-Pierre Léaud) becomes a father... But is he mature enough for parenthood?

Truffaut adopts a detached, delicate tone in treating the troubled ménage-à-trois that develops between a young French writer (Léaud) and two English sisters in the early 1900s.

Naively idealistic and largely inept both in his dealings with women and in any job, Antoine clumsily courts Christine while working for a private detective agency.

Separated from Christine and uncertain about his latest relationship, Antoine (Jean-Pierre Léaud) has finally written a novel inspired by his own experiences in this final chapter of François Truffaut’s series.

“The revolution is not a dinner-party.” Jean-Luc Godard's mix of mordant satire, pedagogical treatise, political tract, and pop-artwork.

Olivier Assayas' sexy and stylish ode to the madness of filmmaking, with Maggie Cheung as the Hong Kong movie star playing a Catwoman-style anti-heroine.

Happily married Bernard (Gérard Depardieu) has his life is thrown into turmoil when Mathilde (Fanny Ardant) - an old flame - moves into the house opposite.

In this typically ambivalent comedy from Truffaut, Antoine Doinel (Jean-Pierre Léaud) becomes a father... But is he mature enough for parenthood?

Truffaut adopts a detached, delicate tone in treating the troubled ménage-à-trois that develops between a young French writer (Léaud) and two English sisters in the early 1900s.

A man suspected of a crime enlists a woman to prove his innocence in Truffaut’s Hitchcockian inspired serio-comic romantic thriller.

Naively idealistic and largely inept both in his dealings with women and in any job, Antoine clumsily courts Christine while working for a private detective agency.

Separated from Christine and uncertain about his latest relationship, Antoine (Jean-Pierre Léaud) has finally written a novel inspired by his own experiences in this final chapter of François Truffaut’s series.

An American pimp spends his days hustling on the streets of 1970s Singapore, but dreams of more, in Peter Bogadanovich’s sultry screen adaptation of Paul Theroux’s novel.

Perry Henzell’s long-lost second feature is a love letter to Jamaica, as we follow a filmmaker searching the island for a lost actor.

Robert Bresson’s tale of sexual intrigue, rivalry and revenge among Parisian socialites, with glittering dialogue by Cocteau.

Gomorrah director Matteo Garrone presents a masterful tale of twisted friendship, not-so-petty crime and revenge.

The legendary story of Joan of Arc is powerfully retold in Robert Bresson’s minimalist masterpiece.

After ten years’ absence, a vicious gangster (Neil Maskell) returns to his old stomping ground to find his son and take revenge on the gang that double-crossed him.