The White Ribbon

Argentinian director Lucrecia Martel returns with a fine adaptation of Antonio Di Benedetto’s existential novel. In her first feature since 2008’s The Headless Woman, Martel creates a richly layered exploration of personal malaise.

Kelly Reichardt's absorbing and beautifully composed western, set on the Oregon trail in the 1840s.

Yasujiro Ozu’s beautiful domestic drama is piercing portrait of a marriage coming quietly undone in post-war Tokyo.

A constant fixture in critics' polls, Yasujiro Ozu's most enduring masterpiece is a beautifully nuanced exploration of filial duty, expectation and regret.

Yasujiro Ozu's elegiac final film charts the inevitable eclipse of older generations by irreverent youth.

In a Japan recently devastated by World War II a devoted, near-destitute mother turns to prostitution to pay medical bills when her son falls dangerously ill.

In her final film, Agnès Varda offers a personal insight into her oeuvre, using excerpts from her work to illustrate her unique artistic visions and ideas.

Robert Altman's psychological horror in which a pregnant children’s author (Susannah York) suddenly begins to experience paranoia, hallucinations and visions of a doppelgänger.

Sandy Dennis excels in this unsettling psychological thriller, the first truly personal film from American master filmmaker Robert Altman.

Agnes Varda’s classic character study follows a successful pop singer as she wanders around Paris while awaiting the results of serious medical tests.

The story of Mona, a young hitchhiker who cannot communicate with the world, is told in flashback by people who came into contact with her, after she is found frozen to death in a ditch.

Robert Altman revisits the 1930s city of his childhood, vividly recreating its jazz clubs, speakeasies, political corruption and lively crime scene.

Jessica Hausner’s long-awaited follow-up to Lourdes is a devilish anti-Rom-Com in which German poet seeks mates for a suicide pact.

A literary TV chat-show host (Daniel Auteuil) discovers the drawbacks to celebrity when he and his wife (Juliette Binoche) start receiving anonymous messages in the form of videos of their home and naively violent drawings.

Michael Haneke’s Palme d’Or-winner, about an octogenarian couple trying to cope when a stroke leaves the wife partly paralysed and speechless.

Robert Altman revisits the 1930s city of his childhood, vividly recreating its jazz clubs, speakeasies, political corruption and lively crime scene.

Argentinian director Lucrecia Martel returns with a fine adaptation of Antonio Di Benedetto’s existential novel. In her first feature since 2008’s The Headless Woman, Martel creates a richly layered exploration of personal malaise.

In her final film, Agnès Varda offers a personal insight into her oeuvre, using excerpts from her work to illustrate her unique artistic visions and ideas.

Kelly Reichardt's absorbing and beautifully composed western, set on the Oregon trail in the 1840s.

Ozu’s long-term collaborator Kogo Noda scripts a subtle shift from light to dark as Hirano’s carefree college life is marred by tragedy.

Yasujiro Ozu’s beautiful domestic drama is piercing portrait of a marriage coming quietly undone in post-war Tokyo.