Picnic at Hanging Rock

Malcolm McDowell and Helen Mirren star in one of the most controversial films in cinema history, presented here in an entirely new cut compiled from the original rushes.

Luchino Visconti's final film is a brilliant and disturbing drama set against the opulent backdrop of decadent, late 19th-century aristocracy.

A widowed doctor has gruesome plans for his new wife in this lush, Hitchcockian Italian gothic horror.

Florence Pugh shines in this exceptional British debut of a young wife's need for freedom, whatever the cost.

An unnervingly brilliant portrait of the ways in which the Pinochet dictatorship realised its brute force and pervasive influence, from debut director Manuela Martelli. Winner of the 2022 BFI London Film Festival First Feature Competition.

Peter Greenaway became a director of international status with this witty, stylised, erotic country house murder mystery.

Riotous urban comedy adapted from the hit Royal Court play, about a Peckham teen affronted by the arrival of his long-lost Nigerian sibling.

Fassbinder’s international breakthrough, this unconventional love story combines lucid social analysis with devastating emotional power.

Ken Loach's warm and characteristically understated drama deals with the challenges of a cross-cultural romance as Casim, a second-generation Scottish-Pakistani, falls for Irish-Catholic teacher, Roisin.

A visit to her mother’s home art studio in Texas prompts artist and filmmaker Nadia Shihab to explore the meaning of home and the search for belonging across three generations of her Iraqi family.

Alejandro González Iñárritu's (Birdman, The Revenant) gripping debut feature is a savagely brilliant triptych around the theme of animalistic desires.

Matt Dillon and his not-so-merry band of junkies rob pharmacies and cheat death.

Merchant Ivory’s landmark adaptation of E M Forster’s classic LGBTQ+ novel and a precursor to the James Ivory-scripted Call Me By Your Name, starring Hugh Grant, James Wilby and Rupert Graves.

Victor Kossakovsky’s film essay looks at the way we have constructed our built world through a series of breathtaking sequences.

A British-Palestinian drag performer catches the eye of a strait-laced white man in Amrou Al-Kadhi’s stunning, semi-autobiographical debut.

Following the Six-Day War in 1967, a young Palestinian refugee boy yearns to be reunited with his father and joins a band of freedom fighters.