Lawrence of Belgravia

Victor Kossakovsky’s film essay looks at the way we have constructed our built world through a series of breathtaking sequences.

A hypnotic tour of a New York hotel that proves that nighttime is Akerman time.

Akerman’s introspective apartment-bound reflection on isolation and confinement.

A celebration of Akerman’s longtime collaborator, cellist Sonia Wieder-Atherton, showing her artistry as she plays and discusses her life in music.

Made over 20 years ago, this exploration of the lives of Mexican migrants and the cruelties of borders makes for equally urgent viewing today.

Chantal Akerman’s rigorously observational portrait of her late mother takes on a whole new significance in the wake of the director’s own premature passing.

This Oscar-nominated, Almodóvar-produced anthology of six tales of ordinary madness is the most riotously enjoyable portmanteau film since Pulp Fiction.

Volume 1 of Lars von Trier’s explicit, controversial film about a woman recounting the history of her sexuality in episodic style.

Park Chan-wook (Oldboy, Stoker) channels Sarah Waters’ novel Fingersmith, to create a sumptuous twisty psychological thriller full of erotic intrigue.

Berlin Golden Bear winner, Radu Jude’s scathing satire finds schoolteacher Emi threatened with dismissal when a private sex tape goes viral.

Tilda Swinton stars in the first English-language feature from master filmmaker Apichatpong Weerasethakul; a mesmerising and beautifully immersive work.

A deliciously dark comedy about social paranoia that will have you joyfully squirming in your seat.

Alejandro González Iñárritu's (Birdman, The Revenant) gripping debut feature is a savagely brilliant triptych around the theme of animalistic desires.

Matt Dillon and his not-so-merry band of junkies rob pharmacies and cheat death.

Merchant Ivory’s landmark adaptation of E M Forster’s classic LGBTQ+ novel and a precursor to the James Ivory-scripted Call Me By Your Name, starring Hugh Grant, James Wilby and Rupert Graves.

Victor Kossakovsky’s film essay looks at the way we have constructed our built world through a series of breathtaking sequences.

A British-Palestinian drag performer catches the eye of a strait-laced white man in Amrou Al-Kadhi’s stunning, semi-autobiographical debut.

Following the Six-Day War in 1967, a young Palestinian refugee boy yearns to be reunited with his father and joins a band of freedom fighters.