Au revoir les enfants

Roberto Rossellini’s landmark of Italian neorealism often cited as one of the greatest films ever made.

The concluding part of Roberto Rossellini’s celebrated War Trilogy, set amid the war-torn ruins of Berlin.

Roberto Rossellini’s ambitious and enormously moving follow-up to his breakthrough Rome, Open City.

It is 1944 and in rural France an eighteen-year-old finds himself caught between his job as a member of the Gestapo, and the Jewish girl he is falling in love with.

Derek Jarman's affecting vision of the horrors young men faced during the First World War.

Karel Zeman's astonishing fantasy mixes live-action and animation to tell the adventures of a ploughman and a mercenery during the Thirty Years War.

In her final film, Agnès Varda offers a personal insight into her oeuvre, using excerpts from her work to illustrate her unique artistic visions and ideas.

Robert Altman's psychological horror in which a pregnant children’s author (Susannah York) suddenly begins to experience paranoia, hallucinations and visions of a doppelgänger.

Sandy Dennis excels in this unsettling psychological thriller, the first truly personal film from American master filmmaker Robert Altman.

Agnes Varda’s classic character study follows a successful pop singer as she wanders around Paris while awaiting the results of serious medical tests.

The story of Mona, a young hitchhiker who cannot communicate with the world, is told in flashback by people who came into contact with her, after she is found frozen to death in a ditch.

Robert Altman revisits the 1930s city of his childhood, vividly recreating its jazz clubs, speakeasies, political corruption and lively crime scene.

Julien Tavernier plans the perfect murder of his boss. Having emerged from the scene of the crime, he returns to retrieve a vital piece of evidence but finds himself trapped in a lift, increasingly desperate to escape before the police arrive.

It is 1944 and in rural France an eighteen-year-old finds himself caught between his job as a member of the Gestapo, and the Jewish girl he is falling in love with.

Robert Altman revisits the 1930s city of his childhood, vividly recreating its jazz clubs, speakeasies, political corruption and lively crime scene.

Argentinian director Lucrecia Martel returns with a fine adaptation of Antonio Di Benedetto’s existential novel. In her first feature since 2008’s The Headless Woman, Martel creates a richly layered exploration of personal malaise.

In her final film, Agnès Varda offers a personal insight into her oeuvre, using excerpts from her work to illustrate her unique artistic visions and ideas.

Kelly Reichardt's absorbing and beautifully composed western, set on the Oregon trail in the 1840s.

Ozu’s long-term collaborator Kogo Noda scripts a subtle shift from light to dark as Hirano’s carefree college life is marred by tragedy.

Yasujiro Ozu’s beautiful domestic drama is piercing portrait of a marriage coming quietly undone in post-war Tokyo.