A Most Violent Year

Argentinian director Lucrecia Martel returns with a fine adaptation of Antonio Di Benedetto’s existential novel. In her first feature since 2008’s The Headless Woman, Martel creates a richly layered exploration of personal malaise.

Kelly Reichardt's absorbing and beautifully composed western, set on the Oregon trail in the 1840s.

Yasujiro Ozu’s beautiful domestic drama is piercing portrait of a marriage coming quietly undone in post-war Tokyo.

A constant fixture in critics' polls, Yasujiro Ozu's most enduring masterpiece is a beautifully nuanced exploration of filial duty, expectation and regret.

Yasujiro Ozu's elegiac final film charts the inevitable eclipse of older generations by irreverent youth.

In a Japan recently devastated by World War II a devoted, near-destitute mother turns to prostitution to pay medical bills when her son falls dangerously ill.

Nominated for two Oscars (Best Actress – Melissa Leo - and Best Original Screenplay) Frozen River is a riveting thriller that raises questions about the borders we construct, between countries, communities and each other.

An Aboriginal cop returns to his hometown to solve the brutal murder teenage girl, uncovering a web of corruption and a growing body count, in Ivan Sen's acclaimed Australian riff on the Western genre.

In this classic, broiling Australian thriller, an exasperated schoolteacher finds himself stranded in the dusty outback town of Bundanyabba, where the growing isolation and unhinged locals begin to eat away at his sanity.

Ivan Sen follows his acclaimed Australian thriller Mystery Road with another distinctive, 'outback noir', with troubled indigenous detective Joe Swan (Aaron Pedersen) again on the trail of murder and corruption.

High melodrama, creeping insanity and barely contained delirium abound in this dizzying tribute to the high tension thrillers of Alfred Hitchcock from director Brian De Palma.

Burt Lancaster stars as the Air Force general who seizes control of a nuclear stockpile to force the US President (Charles Durning) to tell the truth about the Vietnam war, in Robert Aldrich's thunderous political thriller.

Robert Altman revisits the 1930s city of his childhood, vividly recreating its jazz clubs, speakeasies, political corruption and lively crime scene.

Argentinian director Lucrecia Martel returns with a fine adaptation of Antonio Di Benedetto’s existential novel. In her first feature since 2008’s The Headless Woman, Martel creates a richly layered exploration of personal malaise.

In her final film, Agnès Varda offers a personal insight into her oeuvre, using excerpts from her work to illustrate her unique artistic visions and ideas.

Kelly Reichardt's absorbing and beautifully composed western, set on the Oregon trail in the 1840s.

Ozu’s long-term collaborator Kogo Noda scripts a subtle shift from light to dark as Hirano’s carefree college life is marred by tragedy.

Yasujiro Ozu’s beautiful domestic drama is piercing portrait of a marriage coming quietly undone in post-war Tokyo.