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Hirokazu Koreeda
Celebrating the master of contemporary Japanese cinema and his diverse, beautiful and human stories.
In 2018, Hirokazu Koreeda won the Cannes Palme d’Or for Shoplifters, capping a quarter-century career in feature filmmaking that has made him the most critically acclaimed and among the most widely distributed of contemporary Japanese live-action directors.
In the last decade, Koreeda’s cinema has gone from strength to strength. With his films now virtually guaranteed critical acclaim, commercial success and international attention, he’s been able to direct more frequently. He continues to explore fresh territory, as in courtroom drama The Third Murder, but his central subject remains the Japanese family. In this, Koreeda seems ever more the heir to Ozu, and increasingly he works, like Ozu, with a company of regular actors – most notably the late Kirin Kiki – who enact variations on a set of key themes, helping to imbue his work with a specific and personal flavour.
After LifeAfter Life
Drama1998119 minsDirector: Hirokazu Koreeda
Koreeda's lyrical fantasy challenges the viewer to reflect on the experiences that most make life worth living.
Air DollAir Doll
Drama2009116 minsDirector: Hirokazu Koreeda
A life-size blow-up doll comes to life and falls in love with a video store clerk in Kore-eda Hirokazu’s haunting, melancholy meditation on urban alienation.
MaborosiMaborosi
Drama1995109 minsDirector: Hirokazu Koreeda
Koreeda’s first fiction feature is an exquisite meditation on loss, loneliness, uncertainty, and coming to terms with the past.
Nobody KnowsNobody Knows
Drama2003141 minsDirector: Hirokazu Koreeda
Koreeda’s drama about four children left to fend for themselves is a heartbreaking study of childhood neglect.
MonsterMonster
Drama2023127 minsDirector: Hirokazu Koreeda
Not all is as it seems in Hirokazu Koreeda’s powerful drama told from shifting perspectives.
Still WalkingStill Walking
Drama2008115 minsDirector: Hirokazu Koreeda
Koreeda’s subtle, moving account of the tensions within a family is his most Ozu-like film.