Do Not Adjust Your Set (Series 2 episode 2)

Justin Edgar's pioneering feature comedy about a neurotic filmmaker enlisted to make a film with a class of wheelchair-users.

What if unrequited love spanned the centuries? Alice Lowe's time-jumping fantasy rom-com is a colourful, darkly funny treat.

A desperate delivery driver gets caught up in the dark underworld of Riyadh in Ali Kalthami’s gripping, pitch-black satire.

Three Billboards' director Martin McDonagh spins an epic and twisted tale of pets and gangsters, with an all-star cast.

The return of beautiful journalist Tamara Drewe (Gemma Arterton) awakens destructive passions in a Dorset village.

An impoverished Miami preacher is lured into terrorism by the FBI, in the latest explosive satire from comedy genius Chris Morris.

In his first substantial feature-film role away from the involvement of his Monty Python cohorts, Michael Palin stars as a 19th-century missionary tasked with setting up a mission for fallen prostitutes.

Terry Gilliam's first feature as a solo director, here gloriously restored, is a riotous tale of monsters, true love and medieval manners.

The DNAYS team were assembled for this festive edition featuring a variety of sketches, including a strangely sentimental item with Michael Palin as an unloved music-hall-style singer.

Here we meet Michael Palin’s prototype unhelpful shop assistant (a distinct precursor of many future Python characters), plus the Bonzos ripping up the stage with The Sound of Music.

A more adult tone creeps into some of the sketches, in this second episode of the seminal series.

A previously unreleased and newly restored episode of the classic pre-Python comedy show, featuring some distinctly surreal sketches.

With the series in full flow, the fifth episode showcases some splendid interplay between the team – plus some sumptuous mugging from David Jason.

Highlights in this episode include the terrific ‘Art Gallery’ sketch, with a Gumby-esque Terry Jones exhibited as a living art work.

The last show of the first series sees everybody larking about somewhat.

As the series nears its conclusion everybody in the cast seems thoroughly at ease with each other, delivering both slapstick and cerebral sketches with smooth efficiency.

Here we meet Michael Palin’s prototype unhelpful shop assistant (a distinct precursor of many future Python characters), plus the Bonzos ripping up the stage with The Sound of Music.

A more adult tone creeps into some of the sketches, in this second episode of the seminal series.

Charting the rise of one of Britain's most distinctive film companies, HandMade Films, producer of classics such as Life of Brian, The Long Good Friday and Withnail and I.

In the outrageous spinoff from the animated series, Cartman and co. inadvertently instigate a war between the US and Canada.

With the series in full flow, the fifth episode showcases some splendid interplay between the team – plus some sumptuous mugging from David Jason.

Highlights in this episode include the terrific ‘Art Gallery’ sketch, with a Gumby-esque Terry Jones exhibited as a living art work.

The last show of the first series sees everybody larking about somewhat.

Here we meet Michael Palin’s prototype unhelpful shop assistant (a distinct precursor of many future Python characters), plus the Bonzos ripping up the stage with The Sound of Music.

The first episode made for Thames Television features Terry Gilliam's stunning yuletide animation, The Christmas Card.

A striking portrait of an artist deserving of greater recognition, directed by Mark Cousins (A Story of Film).

Johan Grimonprez’s involving film essay, anchored by the rhythm of American jazz, reveals disturbing truths about the decolonial struggle between global political powers.

This powerful documentary from a Palestinian-Israeli collective might be one of the most important films of this year.

Oscar-winner Cillian Murphy delivers a stunning performance as a coal merchant who discovers horrific secrets about his local convent.

Shujun Wei's slow-burn noir draws us inexorably into its mysterious psychological journey.

Ian McKellen is in delicious form as London's most vicious critic, who strikes a Faustian pact with a struggling actor (Gemma Arterton).