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A young solicitor, administering the will of a recently dead old lady, is drawn into a sinister web of events centring on her abandoned house.

Nothing is quite as scary as puberty in this exuberant feminist pre-teen body horror from first time Malaysian director Amanda Nell Eu.

Like Ghostwatch reimagined as a cheesy 1970s chat show, this deviously clever found-footage horror has scares to spare.

In Charlotte Colbert’s strikingly gothic film, an ageing actor recovering from a mastectomy taps into a mysterious power at a remote Scottish retreat.

Bringing a whole new meaning to the term ‘period film’, Andrew Cumming’s Palaeolithic horror movie is a true original.

Australian filmmaking brothers Danny and Michael Philippou’s feature film debut nods to their background as viral-video sensations.

The inner workings of London’s National Gallery are laid bare in this absorbing, forensic examination by revered filmmaker Frederick Wiseman.

Raoul Peck’s penetrating and acclaimed documentary reconstructs an unfinished manuscript by James Baldwin, chronicler of America’s Civil Rights Movement.

Scorsese’s epic meditation on spiritual strength, with Andrew Garfield and Adam Driver as missionaries on the search for their missing mentor.

Armando Iannucci brings David Copperfield fizzing to life with all-star collaborators in this exuberant, entertaining and sharply pertinent adaptation.

Three generations of women are plagued by a supernatural presence in one of the year’s most terrifying films.

In the near future, a cool and ruthless assassin who uses other people’s bodies to carry out execution-style killings comes unstuck when her latest vehicle resists.

An electric collection of 11 award-winning, lesbian and feminist short films exploring fantasies, dreams, desires, love and transgression.

This powerful documentary from a Palestinian-Israeli collective might be one of the most important films of this year.

Oscar-winner Cillian Murphy delivers a stunning performance as a coal merchant who discovers horrific secrets about his local convent.

Shujun Wei's slow-burn noir draws us inexorably into its mysterious psychological journey.

Ian McKellen is in delicious form as London's most vicious critic, who strikes a Faustian pact with a struggling actor (Gemma Arterton).

Justin Edgar's pioneering feature comedy about a neurotic filmmaker enlisted to make a film with a class of wheelchair-users.

What if unrequited love spanned the centuries? Alice Lowe's time-jumping fantasy rom-com is a colourful, darkly funny treat.