The Silence

Alejandro González Iñárritu's (Birdman, The Revenant) gripping debut feature is a savagely brilliant triptych around the theme of animalistic desires.

Matt Dillon and his not-so-merry band of junkies rob pharmacies and cheat death.

Merchant Ivory’s landmark adaptation of E M Forster’s classic LGBTQ+ novel and a precursor to the James Ivory-scripted Call Me By Your Name, starring Hugh Grant, James Wilby and Rupert Graves.

Following the Six-Day War in 1967, a young Palestinian refugee boy yearns to be reunited with his father and joins a band of freedom fighters.

Heart-pounding Danish drama about a mother’s desperate attempts to unmask her daughter’s attacker on board a cruise ship.

After his mother wakes from a coma in 1990, a young man goes to great lengths to pretend East Germany still exists in this wonderfully bittersweet tragicomedy.

Chantal Akerman's magnificent epic of experimental cinema offering a feminist perspective on recurrent events of everyday life.

Steven Soderbergh’s audacious debut, starring James Spader and Andie Macdowell, is an intimate exploration of sexual desire, and a landmark of 90’s American independent filmmaking.

Kristen Stewart, Lily Gladstone and Jared Harris star in Kelly Reichardt's acclaimed portmanteau of women's stories; winner of Best Film at BFI London Film Festival 2016.

Julianne Moore stars as a suburban housewife who suffers from a mysterious illness in Todd Haynes’ inspired blend of horror and existential Americana.

Akerman’s debut feature, with its 10-minute lesbian sex scene, revealed its maker to be a radical and uncompromising force in cinema.

Song, dance and romance charge this joyous hair-salon set musical, but Akerman’s take on 80s consumerism is anything but frothy.

A dying woman (Harriet Andersson) is attended to in her rural mansion by her sisters, in Ingmar Bergman's vivid examination of the human soul.

Ingmar Bergman's highly personal treatise on the torments of faith, in which a widowed village pastor struggles to deal with his parishioners and ex-lover.

Victor Sjöström is magnificent as the crabby professor taking a nostalgic road trip with his daughter-in-law, in Ingmar Bergman's elegiac masterpiece.

Ingmar Bergman's excellent ensemble piece concerns a 19th-century mesmerist and a scientist and police chief out to discredit him.

Before Caligula, Italian provocateur Tinto Brass directed this controversial and transgressive drama, inspired by the true story of a Nazi-run brothel in 30s Berlin.

Ingmar Bergman's highly personal treatise on the torments of faith, in which a widowed village pastor struggles to deal with his parishioners and ex-lover.

A dying woman (Harriet Andersson) is attended to in her rural mansion by her sisters, in Ingmar Bergman's vivid examination of the human soul.

Bergman’s magisterial and sumptuous portrait of a 20th-century Swedish family, presented in its full-length TV version.

A nurse and an actress who refuses to speak seem to fuse identities in Ingmar Bergman’s disturbing, formally experimental psychological drama.

Ingmar Bergman’s sole film with his namesake Ingrid sees her as a famous concert pianist visiting her daughter, played by a third giant of Swedish film, Liv Ullmann.

The first part of Ingmar Bergman's 'Faith Trilogy', about a writer (Björnstrand) who joins his daughter, son and son-in-law on holiday, where tensions soon arise.

Ingmar Bergman's highly personal treatise on the torments of faith, in which a widowed village pastor struggles to deal with his parishioners and ex-lover.

Alejandro González Iñárritu's (Birdman, The Revenant) gripping debut feature is a savagely brilliant triptych around the theme of animalistic desires.

Matt Dillon and his not-so-merry band of junkies rob pharmacies and cheat death.

Merchant Ivory’s landmark adaptation of E M Forster’s classic LGBTQ+ novel and a precursor to the James Ivory-scripted Call Me By Your Name, starring Hugh Grant, James Wilby and Rupert Graves.

Victor Kossakovsky’s film essay looks at the way we have constructed our built world through a series of breathtaking sequences.

A British-Palestinian drag performer catches the eye of a strait-laced white man in Amrou Al-Kadhi’s stunning, semi-autobiographical debut.

Following the Six-Day War in 1967, a young Palestinian refugee boy yearns to be reunited with his father and joins a band of freedom fighters.