Port of Call

A life-size blow-up doll comes to life and falls in love with a video store clerk in Kore-eda Hirokazu’s haunting, melancholy meditation on urban alienation.

Hailed as ‘Poland’s first LGBT film’, Tomasz Wasilewski’s striking drama follows a champion swimmer whose gay relationship causes ripples.

Bleakly funny comedy-drama starring Maggie O’Neill as a middle-aged woman who begins dating a mysterious biker, whose flamboyant son is a social media influencer.

Victor Erice’s second masterpiece, following The Spirit of the Beehive, is a rarely seen meditation on memory, deception and Spain’s 20th-century history.

Sofía Otero ignites this warm, rich Spanish drama woven from a child’s probing question: who am I?

Miguel, a young married fisherman with a baby on the way, struggles to reconcile his devotion to his male lover within his town’s rigid traditions.

Ingmar Bergman’s best-known film is a brilliant allegorical drama starring Max von Sydow as a knight trying to elude his own death.

Bergman’s magisterial and sumptuous portrait of a 20th-century Swedish family, presented in its full-length TV version.

Ingmar Bergman’s sole film with his namesake Ingrid sees her as a famous concert pianist visiting her daughter, played by a third giant of Swedish film, Liv Ullmann.

A dying woman (Harriet Andersson) is attended to in her rural mansion by her sisters, in Ingmar Bergman's vivid examination of the human soul.

Ingmar Bergman’s scandalous tale of two lovers enjoying the freedom of youth.

A nurse and an actress who refuses to speak seem to fuse identities in Ingmar Bergman’s disturbing, formally experimental psychological drama.

A dying woman (Harriet Andersson) is attended to in her rural mansion by her sisters, in Ingmar Bergman's vivid examination of the human soul.

Bergman’s magisterial and sumptuous portrait of a 20th-century Swedish family, presented in its full-length TV version.

A nurse and an actress who refuses to speak seem to fuse identities in Ingmar Bergman’s disturbing, formally experimental psychological drama.

Ingmar Bergman’s sole film with his namesake Ingrid sees her as a famous concert pianist visiting her daughter, played by a third giant of Swedish film, Liv Ullmann.

The first part of Ingmar Bergman's 'Faith Trilogy', about a writer (Björnstrand) who joins his daughter, son and son-in-law on holiday, where tensions soon arise.

Two sisters, one ailing, the other with her young son, check into a hotel in a foreign city readying itself for war, in Ingmar Bergman's nightmarish vision of emotional isolation.

A life-size blow-up doll comes to life and falls in love with a video store clerk in Kore-eda Hirokazu’s haunting, melancholy meditation on urban alienation.

Hailed as ‘Poland’s first LGBT film’, Tomasz Wasilewski’s striking drama follows a champion swimmer whose gay relationship causes ripples.

Bleakly funny comedy-drama starring Maggie O’Neill as a middle-aged woman who begins dating a mysterious biker, whose flamboyant son is a social media influencer.

Godard's playful tribute to the Hollywood pulp crime movies of the 1940s, executed with typically Gallic cool.

Victor Erice’s second masterpiece, following The Spirit of the Beehive, is a rarely seen meditation on memory, deception and Spain’s 20th-century history.

Brilliantly mixing archive film and music, Liverpool-born director Terence Davies reflects with wit and wisdom on a times of change, for good or ill