At the end of the world, Max is desperate to be with the woman he loves. But his destiny lies less in some dystopian space odyssey than an Afrofuturist dream.
There’s a sinister presence living in the attic, and a young girl (Sandra Guldberg Kampp, Wildland) is torn by her desire for a local boy and her ties to something evil at home.
The one where Lindsay Anderson makes a film about fuel efficiency…
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